Artist: The Cookers
Title: The Call of the Wild and Peaceful Heart
Year Of Release: 2016
Label: Smoke Session Records
Genre: Jazz, Post-Bop
Quality: FLAC (tracks) [24Bit/96kHz]
Total Time: 74:08
Total Size: 1,50 GB (Covers)
WebSite: Album Preview
1. The Call of the Wild and Peaceful Heart
2. Beyond Forever
3. Third Phase
4. Teule’s Redemption
5. If One Could Only See
7. Oceans of Time
8. Thy Will Be Done
Is forward-leaning hard-bop out of style? Heck No! The Cookers (a group of that consists of five legendary jazz musicians) confirms this with their fifth and most exciting album to date, The Call of the Wild and Peaceful Heart. After nine years together, The Cookers have grown from a summit of swinging road warriors to become one of the fieriest and hardest-hitting bands on the jazz scene today and easily keep the flame of hard-bop brightly burning.
Trumpeter David Weiss is the master mind behind the formation of this gathering of elders. Weiss explains, “At this point, we’ve gelled as a band with an original voice, so the goal is just to be that much stronger each time out. The band itself should be the story at this point, I hope, but I think this album shows off a much stronger spiritual side of the group then previous efforts. I don’t know if that’s what happens when such great musicians who share this common bond spend so much time together, or maybe it’s just that some of the material we chose for this album conveys this spirit so well, but it’s certainly there and is quite powerful.”
The Call of the Wild and Peaceful Heart, will be The Cookers’ debut on Smoke Sessions Records and is the follow up to their critically acclaimed release Time and Time Again. The core of the band consists of five legendary musicians whose credentials read like a who’s-who of classic-era jazz: tenor saxophonist Billy Harper was a member of groups led by Lee Morgan and Max Roach and served a two-year stint with Art Blakey’s Jazz Messengers; trumpeter Eddie Henderson and drummer Billy Hart were both part of Herbie Hancock’s electrifying Mwandishi ensemble; pianist George Cables played alongside Dexter Gordon and Art Pepper; and bassist Cecil McBee anchored Charles Lloyd’s famed 1960s quartet with Keith Jarrett and Jack DeJohnette. They’re joined by torchbearers Weiss and, in his second outing with the band, alto saxophonist Donald Harrison.
The new album’s Title comes from Harper’s opening track, originally recorded and released on the saxophonist’s 1975 album Black Saint. The “wild and peaceful heart” was meant to refer to the dueling passions to be found in the soul of the composer himself, but applies equally well to this ensemble, whose repertoire can range from the tempestuous force of Hart’s “Oceans of Time” to the wistful soul of McBee’s “Third Phase.” As Harper puts it, “The group is set up in such a way that there’s a balance of hard drive and cool expressions.”
That balance can be nimbly struck in the space of a single composition, as on Harper’s Title track “The Call of the Wild and Peaceful Heart.” The piece begins with Harpers effortless turn out latter-day Coltrane-esque phrases over a relaxed figure from the band, eventually giving way to a solo piano cadenza which finally settles into a mid-tempo, but vigorous swinging groove. The contrapuntal interlude leads to an excellent tutii section of hits. Harper takes the first solo, full of passion and flurries of impassioned inspiration, he builds upon the ever supportive and moving chordal figures of Cables wide voicings. Weiss solo follows, his warm tone and impeccably articulated lines continue the musical journey with Harts symbols providing support and rhythmic inspiration to the solo. Cables statement is driving and his right hand lines turn and weave in and out of his well-placed left hand chordal figures consisting of fourths and fifths.
Following the urgent momentum of Harper’s Title tune, comes the flowing energy and soulful swagger of Cables’ “Beyond Forever” from his 1994 date of the same name, which first appeared on Eddie Henderson’s 1977 release Comin’ Through. The album’s sole debut recording is McBee’s “Third Phase,” which begins with the pianist in a meditative mood before the horns enter to sing the notable melody. Hart previously recorded the abstract, dark-hued “Teule’s Redemption” with his own quartet on his 2014 ECM release One Is the Other, and the song’s Ornette-inspired jaggedness is only strengthened by The Cookers’ four-horn frontline.
The unique septet, Harper says, “lends itself to a wider range of colors. It’s like having the palette of a big band that drives and cooks like a small group.” As always, the album’s repertoire is comprised of the members’ vast discographies, a multitude of treasures that Weiss says continues to yield surprises. After exhausting what he calls “David’s fantasy list” of the group’s compositions on The Cookers’ first two albums, he’s consistently discovered new favorites, embellished by the band’s growing camaraderie. “I always think, ‘How did I miss this last time?’ But as the band grows and I realize more and more what they’re capable of, certain tunes speak to me differently the next time through. I think this is our strongest record and top to bottom the strongest collection of tunes that we’ve done.”
The album’s most tender moment is contributed by Harper with his ballad “If One Could Only See,” inspired by a dream in which a hand reached down from heaven and handed him a cassette tape containing the song’s wounded but steely melody. Native American influences are apparent in Cables’ “Blackfoot,” culled from his 1993 Steeple Chase debut I Mean You, while Hart’s “Oceans of Time” was the Title track of his 1997 release.
The Cookers are unique in the modern jazz scene, a band that reflects more than four decades of rapport and shared experiences, as well as first-hand knowledge of the seismic shifts in the music that younger musicians only know through records and stories. “They all come out of basically the same era,” Weiss says. “They all saw the same things; they were all blown away by seeing John Coltrane in 1965 – they were all part of something bigger than us. They were right there when some groundbreaking stuff happened, and they still approach the music that way. These guys should all be considered giants on their own,” Weiss insists. The idea of The Cookers is to bring them to greater prominence, and a big part of that is this incredible legacy of their compositions.” Excellent recording, two thumbs up; Must have!
(H. Allen Williams, jazztimes.com)
Eddie Henderson – trumpet
David Weiss – trumpet
Donald Harrison – alto saxophone
Billy Harper – tenor saxophone
George Cables – piano
Cecil McBee – bass
Billy Hart – drums
Download Links Now With Premium Account For Maximum Speed!